Sooner or later people will catch up to it. “But that is the great thing about DVD, Blu-rays. “A lot of my films did not connect with the audience right away. He indicated also that he wasn’t comfortable directing actors until he got to Do the Right Thing, and tells of early encounters with Laurence Fishburne that set him straight as to actors’ needs.Īnd of course every filmmaker remembers those films that just didn’t quite make it with audiences and/or critics, and Lee is no different, as he points out. Lee also tossed off any concerns about criticism he and his films have received over the years, saying that he learned early on at NYU that all of that goes with the territory in the real world and that it can actually be valuable. I wanted this film to be the opposite side of that.” Universal Pictures Of Clockers he had a specific goal in mind noting that “at the time there were an abundance of these urban hip hop movies, in my opinion glorifying drug dealing and all that. “You could also argue it was the most important film, and the film that had the most riding on it,” he added. About Malcolm X he said that other than his first, She’s Gotta Have It, it was the hardest film he ever had to make. For me that was the model.” Warner Bros.Īt Foster’s prodding Lees discussed the challenges of specific movies. Over the years they kept working on their craft. “If you love what you are doing you can delay Father Time, so I have some more joints to make.At the very beginning I wanted to build a body of work because I noticed the artists I admired kept building their body of work. “You have to work on your craft no matter what it is - you have to work, you have to work, you have to work,” the 63 year old told her. The Lee mantra is basically to never slow down, as he explained to Foster. Carter, costume designer of Bamboozled, told Lee’s first production designer Wynn Thomas ( She’s Gotta Have It) about a phone call she got from the director who began by saying “I am the man of your dreams,” to which she replied, “ Denzel?” Veteran actors Angela Bassett and Delroy Lindo exchanged anecdotes about their respective experiences with Lee on Chi-Raq and Crooklyn (see the later exchange in the video below).įoster, an engaging host and a previous American Cinematheque honoree herself, conducted an interview with Lee that was sprinkled throughout the fast-paced two-hour show that was also chock-full of perfectly chosen clips illustrating what everyone was talking about. Jon Kilik and Monty Ross, both producers of Lee’s seminal third film, 1989’s Do the Right Thing, swapped tales of pulling off the challenging job of getting that movie made the way Lee envisioned it. Ernest Dickersen, who attended NYU film school with Lee, talked about cinematography on Mo’ Better Blues with Ellen Kuras, who shared her stories behind the camera of Lee’s Emmy-winning documentary 4 Little Girls. Barry Alexander Brown ( Malcolm X) and Sam Pollard ( Jungle Fever) shared fascinating insights on their time with Lee in the editing room, while Robi Reed ( Clockers) and Kim Coleman ( BlacKkKlansman) discussed the casting process of their films, a particular clue to actors watching about how casting directors can get Lee’s attention for talent they think are worthy.
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